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	<title>llamasonic &#187; red one</title>
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		<title>Red One by Red Digital Cinema</title>
		<link>http://llamasonic.com/red-one-by-red-digital-cinema</link>
		<comments>http://llamasonic.com/red-one-by-red-digital-cinema#comments</comments>
		<pubDate>Tue, 26 Aug 2008 00:14:14 +0000</pubDate>
		<dc:creator>llamasonic</dc:creator>
				<category><![CDATA[Neato]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[HD]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[red one]]></category>

		<guid isPermaLink="false">http://www.llamasonic.com/red-one-by-red-digital-cinema</guid>
		<description><![CDATA[Red Digital Cinema has unleashed the Red One, a HD digital video camera that looks as good as film. skate &#8211; shot on red &#8211; 120 fps from opus magnum prod. on Vimeo. His team of engineers and scientists have created the first digital movie camera that matches the detail and richness of analog film. [...]]]></description>
			<content:encoded><![CDATA[<p><a target="_blank" href="http://www.red.com/" >Red Digital Cinema</a> has unleashed the Red One, a HD digital video camera that looks as good as film.</p>
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<a target="_blank" href="http://www.vimeo.com/1340684?pg=embed&amp;sec=1340684" >skate &#8211; shot on red &#8211; 120 fps</a> from <a target="_blank" href="http://www.vimeo.com/user600113?pg=embed&amp;sec=1340684" >opus magnum prod.</a> on <a target="_blank" href="http://vimeo.com?pg=embed&amp;sec=1340684" >Vimeo</a>.</p>
<blockquote>
<p>His team of engineers and scientists have created the first digital movie camera that matches the detail and richness of analog film. The Red One records motion in a whopping 4,096 lines of horizontal resolution—&#8221;4K&#8221; in filmmaker lingo—and 2,304 of vertical. For comparison, hi-def digital movies like Sin City and the Star Wars prequels top out at 1,920 by 1,080, just like your HDTV. (There&#8217;s also a slightly higher-resolution option called 2K that reaches 2,048 lines by 1,080.) Film doesn&#8217;t have pixels, but the industry-standard 35-millimeter stock has a visual resolution roughly equivalent to 4K. And that&#8217;s what makes the Red so exciting: It delivers all the dazzle of analog, but it&#8217;s easier to use and cheaper—by orders of magnitude—than a film camera. In other words, Jannard&#8217;s creation threatens to make 35-mm movie film obsolete.</p>
</blockquote>
<p>via <a target="_blank" href="http://www.wired.com/entertainment/hollywood/magazine/16-09/ff_redcamera" >Wired</a></p>
<p></p>



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